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OSCARS APPROVES NIGERIAN COMMITTEE FOR SCREENING OF NOLLYWOOD FILMS

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Ahead of the 2015 Oscars, The Academy of Motion Picture Arts and Sciences (AMPAS), has approved a twelve-man committee of Nollywood stakeholders, the Nigerian Oscars Selection Committee (NOSC), paving the way for Nigerian entries to be considered for the world’s most prestigious prizes for films.

Each year, countries with an approved selection committee may submit one film for consideration for the Foreign Language Film Award Oscar; only 5 films are chosen from all international submissions for Academy members to cast their votes and choose a winning foreign language film.

“This is a great opportunity for Nigeria to have a voice in the international film arena”, said Chineze Anyaene, filmmaker and committee chairperson.

The NOSC comprises twelve outstanding professionals who have over time proved their mettle as some of the finest in the movie industry and will select one Nollywood movie each year to be submitted for the Oscars. They include Chineze Anyaene, Ngozi Okafor, Olumide Amure, Ramsey Nouah, Kene Mkparu, Emeka Mba, Chioma Ude, Akin Salami, Mildred Okwo, Biola Alabi, Charles Novia and Shaibu Husseini.

According to Academy rules, the members will consider submissions on seven criteria, which are: story, direction, acting, cinematography, sound, music and universal theme.

Shuiabu Husseini, another member of the board agrees. “The Nollywood film industry needs to play globally so people begin to look towards us.”

Every Nollywood movie selected each year will compete with movies from eighty-five (85) other countries for the coveted Best Foreign Language Film Award. Academy members will then pick a shortlist of five foreign language pictures ahead of the awards ceremony.

The approval of NOSC represents a milestone for the nation’s movie industry which has been recognized as one of the top largest movie industries globally. For years, stakeholders have been trying to further improve its standards and this represents a move in the right direction. Sooner or later, Nollywood movies will win – maybe consecutively even – the Oscar statuette for Best Foreign Language Picture.

ABOUT THE COMMITTEE MEMBERS

CHINEZE ANYAENE – CHAIRPERSON

Chineze Anyaene was born and raised in Abuja, Nigeria. She graduated from Regina Pacis College Abuja and later attended the university of Abuja, Nigeria. In 2005, Chineze immigrated to Los Angeles, California and began a one-year filmmaking program at the New York Film Academy. While at NYFA, she was recognized for creating an outstanding epic folktale, noted as the best “foreign film” of her graduating class.

A first time feature director, her directorial debut IJE: THE JOURNEY has received several awards both locally and internationally including the highest grossing Nigerian film by the Nigerian Film Corporation (NFC) and has still remained unbeaten till date. In March 2012, Chineze was part of the panel at a conference in Harvard Business School discussing the entertainment industries in sub-Saharan Africa. She sits as the chairperson of the Nigerian Oscar Committee.

CHARLES NOVIA

Charles Novia is generally acknowledged as an avant-garde Nollywood filmmaker. Over the years, he has been involved with Nollywood in various capacities as a Scriptwriter, Producer and Director as well as a foremost creative entrepreneur. He’s the first major Nollywood filmmaker to write a book on the workings of the film industry in Nigeria and the book; ‘Nollywood till November: memoirs of a Nollywood Insider’ since its publication in 2012, has been well received by critics and scholars of the film sector in Nigeria.

NGOZI OKAFOR

Born in Lagos Nigeria, she studied at the University of Port Harcourt Nigeria where she obtained a BSc in Mathematics/Computer Science.

With strong and growing knowledge in IT, Administration and Marketing, she was a former Managing partner at Xandria Productions Limited, a media consultancy, production and film distribution company which handled the successful theatrical and DVD release of the multi award winning and highest grossing Nigerian film, IJE: THE JOURNEY. She has since been responsible for the successful distribution of several titles under the Xandria Productions label.

Ngozi’s production credits include Line producer, producer for the Short Film ‘Life’. She is keen to stand out for mastery and excellence.

EMEKA MBA

Emeka Nkem Mba, recently appointed the Director General of the National Broadcasting Commission (NBC) is considered by many of his peers as a leading visionary in the converged fields of media, entertainment and technology, with over 23 years cross functional experiences in the converged fields of media & broadcasting, communications technology, and regulatory policy management. Prior to this appointment by President Goodluck Ebele Jonathan, Emeka had served for seven years between 2005 and July 2012 as Director General of the National Film and Video Censors Board, whilst at the NFVCB he undertook groundbreaking work in restructuring the Nigerian film industry.

Emeka has extensive experience in the media and communications fields, and is currently studying law from the External Programme of the University of London. Mr. Mba holds a B.Sc. Mass Communication, and an Advanced Management Programme (AMP) diploma in Media & Entertainment Management from the IESE Business School of New York.

CHIOMA UDE

The enigmatic founder and Executive Director of African International Film Festival (AFRIFF) is an ardent film lover. An avid film watcher and commentator, her passion for the industry grew more intense after her involvement in the production of the 2007 Nigerian Film and Video Censors Board (NFVCB) UK Roadshow. The ensuing relationship culminated in Chioma producing the 2008 Africa Movie Academy Awards and the institution of a brainchild of hers called the AMAA Charity Benefit. This novel initiative was designed to be an annual Corporate Social Responsibility (CSR) platform for industry practitioners and stakeholders to give back to society.

In 2009, Chioma went to become the local producer of the ION International Film Festival (IONIFF), held in Port Harcourt, Rivers State in Nigeria. She enjoys fund-raising for filmmakers and has produced some premieres for some of the best films in the Nigeria.

AKIN SALAMI

Akin Salami is a man on a mission and he is also what you would call a serial entrepreneur. He has successfully launched several businesses across a number of sectors including film production, broadcast media, banking, technology, aviation and distribution.

The Mirror Boy, OH Films’ maiden feature film has gone on to break records and to date is one of the most awarded African movies of all time with over 20 awards across the world.

Akin is also part of international partnership that developed an IPTV film distribution platform called the OHBoX with a focus to promoting Africa and African content globally. The OHBoX platform is fast-becoming the secure Nollywood movie-release platform that is designed to benefit Nigerian and African movie producers.

Akin is a proud Nigerian, an ardent lover of film, an Executive Producer, Distributor and Content Developer. He attended Government College, Ibadan and is also a University of Ife, engineering graduate.

RAMSEY NOUAH

Ramsey Tokunbo Nouah is an actor and Stunt Director, Nouah’s acting career kicked off when he starred in the Nigerian TV soap opera Fortunes. Nouah has since then appeared in numerous films starring as the lead role. In 2010, Nouah won the African Movie Academy Award (AMAA) for Best Actor in a Leading Role for his performance in the Best Picture award winning film ‘The Figurine’. Ramsey is considered to be one of the most sought-after actors in Nigeria. To his credit are one hundred and forty five (145)-actor credit and more.

KENE MKPARU

Kene Mkparu is MD/CEO of Filmhouse Cinemas Nigeria, a dynamic cinema company with a combined management experience and a strategic plan to roll-out 25 cinemas over 6 years commencing in December 2012.

He is also MD of FilmOne film distribution limited. With over 20 years experience in cinema business management, Kene was MD, Genesis Deluxe Cinemas (2008-2010) and CEO, Film AFRICA UK (2005-2009). He was also General Manager with Odeon Cinemas UK (1991- 2008).

Kene has received industry achievement awards for entrepreneurship and for film production, in Nigeria and in the UK, Kene’s film production credits includes Line Producer, Producer and Cast for feature films in the UK and Nigeria.

Kene has an MSc degree in Business Systems Analysis & Design (City University, London, 2001), a Post Grad Diploma (King’s College, University of London, 1991) and a BSc Honors degree (University of Nigeria, 1988).

MILDRED OKWO

Mildred Okwo is a Theatre Arts graduate of the University of Benin Creative Arts Department (UNIBEN). In 1993, she bagged a Juris Doctor degree from Whittier College School of Law in California and practiced Civil Rights, Employment and Entertainment Law in Los Angeles, California for several years before returning to Nigeria in 2007.

In 2004, Mildred presented family friend and film producer Ego Boyo with the first ten pages of her screenplay “30 Days”. The idea for 30 Days was inspired by conditions Mildred observed in Nigeria, and by December 27, 2003 an article written by popular Nigerian columnist Simon Kolawale motivated Mildred to insist on writing and producing movies that gently prick the conscience of its audience. Further, Mildred

wanted to offer a better quality production to Nollywood viewers. 30 Days became her directorial and producing debut, and it received several accolades.

Her second film titled “The Meeting” is the result of that hiatus. The meeting released in October 2012 has received and continues to receive several accolades which most recently includes Best Nigerian Feature & President Goodluck Jonathan’s award for most authentic Nigerian Feature, African International film Festival (AFRIFF) 2013.

BIOLA ALABI

Biola Alabi the Managing Director of MNET Africa was named as one of the 2012 World Economic Forum Young Global leader and has racked up a slew of awards for her progressive and inspiring African vision over the last few years, including a prestigious 2013 AABLA win as West African Business Woman of the Year. She was also named one of the 20 Youngest Power Woman in Africa by Forbes Magazine. Alabi has spent the past five years increasing M-Net’s African portfolio, where she is responsible for driving the strategic growth of African indigenous content at MNET across the continent.

In 2012 Alabi led a restructure of the AfricaMagic channels, expanding the line-up from five general entertainment channels to eight themed channels. She has also overseen 5 editions of the popular reality series Big Brother Africa – Revolution, All Stars, Amplified, StarGame and the Chase. She was the driving force behind the 2013 inaugural Africa Magic Viewers’ Choice Awards and the glittering Face of Africa Finale in Lagos in 2010.

OLUMIDE AMURE

Olumide holds a Bachelors Degree (B.Sc) in Management and Accounting from the Obafemi Awolowo University, Ile-Ife. His career has spanned several years as a Consultant with Phillips Consulting Limited before he joined Entertainment Highway Limited as one of three founding staff and later rose to become the Chief Operating Officer of the Group. He is currently the Managing Director/Chief Executive Officer of Entertainment Highway Investment Limited and its subsidiary Highway Distribution Limited.

As a member of the Corporate Finance Team, he has been involved in enterprise development activities. Olumide was one of the founding staff of Entertainment Highway Limited (later known as Hi Media Limited. He resigned from Hi Media in January 2011 to resume as the MD/CEO of Entertainment Highway Investment Limited – a media and entertainment company with a view to invest, own, operate and/or manage media and entertainment businesses throughout Africa. Olumide is also currently the Managing Director of Bloomberg Television Africa Limited.

SHAIBU HUSSEINI

A widely traveled Culture/film journalist and critic, Shaibu writes for Nigeria’s flagship newspaper-The Guardian. Reputed to be one of the most consistent documentarist of the Nigerian movie industry dubbed Nollywood, Shaibu, an alumnus of the International Visitors Leadership Programme (IVLP) of the United States Department of State is an astute commentator on arts and film development in Nigeria and the continent of Africa. Shaibu has written extensively on the state of the performance arts and runs columns on film/video industry in several newspapers and journals.

The Chair, for five years running now, of the College of Screeners of Africa’s premier film award-the African Movie Academy Award (AMAA) and a member of the prestigious AMAA jury. He is author of Moviedom, the Nollywood Narratives- Clips on the Pioneers. His other books on film and specifically on Nollywood are in publishing.

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Nollywood Actress Eniola Ajao holds thanksgiving and empowerment for fans

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Guv’ Olumese Honored with Special Recognition Award by Ojez Forum

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The Forum by Ojez honored Guv’ Ken Calebs Olumese with the Special Recognition Award on Sunday, celebrating his immense contributions to Nigeria’s entertainment and hospitality industry. The event brought together distinguished personalities to pay tribute to a man whose legacy has shaped the creative sector.

 

Ehi Braimah, Azuh Arinze, Mayor Akinpelu, Sunny Neji, and Charles Inojie shared heartfelt reflections on Olumese’s selflessness, discipline, and generosity. Segun Arinze, reading the citation, described him as a true pioneer and cultural curator whose iconic NiteShift Coliseum provided a platform for many of today’s celebrated musicians, comedians, and public figures.

 

Nicknamed the “Governor of Nigeria’s Nightlife,” Olumese is revered for blending entertainment with diplomacy, making NiteShift Coliseum a hub for strategic networking and national discourse. His venue regularly hosted top political figures, business moguls, and entertainment icons, reinforcing its status as a melting pot of influence.

 

In his acceptance speech, Olumese thanked Ojez Entertainment Chairman Joseph Odobeatu for recognizing his work even in retirement. He credited his character and integrity for the lasting success of his relationships and urged young entertainers to remain hardworking, professional, and disciplined while pursuing their careers.

 

The Ojez Band entertained guests with nostalgic and electrifying performances, adding to the celebratory atmosphere. The evening saw a star-studded guest list, including Chinedu Ikedieze (Aki), Sunny Neji, Kevin Olumese, Bode Morakinyo, Bonny Alinta, Dr. Julius Nwokoro, Moji Mama Ajasco, Franklin Mgbanwa, Charles Inojie, and other celebrities and business figures.

 

Ojez Entertainment Chairman, Joseph Odobeatu, praised the event’s success and promised more engaging activities throughout the year. The night was a fitting tribute to Guv’ Ken Calebs Olumese’s enduring impact on Nigeria’s entertainment industry.

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I Made You Who You Are… I Will Destroy Your Career’: Mercy Chinwo Finally Breaks Silence, Shares A Heartbreaking Detailed Account Of Her Painful Ordeal With Her Ex-Manager, Ezetee

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We are Solicitors to Minister Mercy Chinwo, hereinafter referred to as Minister Mercy.

 

It is with deep concern that we address the recent controversies surrounding Minister Mercy’s relationship with Mr. Ezekiel ThankGod (Eezeetee), her former manager. While we would have preferred to maintain silence on this matter, the severity of the falsehoods being circulated compels us to clarify the facts and set the record straight.

 

 

Contrary to the sensational narratives, Minister Mercy did not initiate any court action case against Mr. Ezekiel ThankGod (Eezeetee) regarding her music catalogue. At no point has she claimed that a 50/50 revenue split from her DSP earnings is unfair. The issues with Mr. Eezeetee are, in fact, grave matters that have posed significant threats to her life and cannot be easily exhausted, but she has preferred to remain silent.

 

WHAT WERE THE REAL ISSUES?

 

Minister Mercy’s journey with Eezeetee began humbly during her days as Eezeetee’s backup singer in Port Harcourt. Over time, their work relationship flourished, with Eezeetee assuming a loco parentis role, advising and mentoring her. Their relationship was not born out of contract, but beyond, She honours him like a father.

 

He commenced managing her early in 2017, introduced her to his Pastor, Pastor Temple Odoko and later specifically advised that they sign a management contract on her birthday to remarkably announce their work. He brought the contract, and it was happily executed on September 5, 2017, in Port Harcourt. (Note date and place).

 

WORK RELATION

 

The work relation was super cordial. Minister Mercy “Excess Love” project was recorded in 2017, and it was a major success. Other projects followed. Eezeetee put in the work and passion, he talked big on his vision for gospel music in Nigeria, and she strongly bought into it.

 

RELOCATION TO LAGOS

 

The grace of God was evident, and need to relocate to Lagos became crucial in 2018. He established the structure, and they worked with unity and a common vision. Everyone was committed to the organization vision, and she was instrumental in ensuring that more gospel ministers, starting with Judikay, joined the organization in early 2019.

 

THE TURNING POINT

 

Towards the middle and end of 2019, commencing the 3rd year of working with Eezeetee, things began to change gradually. They had discussions, as usual, about the organization and her plans. He expressed his intention for her to extend her five-year contract to twelve years. However, she declined, stating that she is got other plans.

 

Afterwards, she noticed that at any given opportunity to address any issue, Eezeetee would be hostile and make reference to the contract. He started talking tough and repeatedly about the contract, which was not the norm. It was at this point that she realized she needed to have a copy of the contract. As the situation got worse in 2020 she demanded for her copy of the contract. (By the way, her copy of the contract was only given at the end of the contract time on the 23rd of November, 2022)

 

 

By the fourth year, the relationship had become extremely toxic, as Minister Mercy started to endure untold verbal and emotional assault that literally affected her person. Eezeetee would threaten her with statements like: “I will deal with you, I will mess you up, I made you whom you are, I can shut you up, and nobody will hear you again, I will destroy your career” including the use of the “F” word, sadly on different occasions. Extremely hostile, antagonistic and abusive.

 

Eezeetee continue to intimidate her, isolating and bulling her, misleading people inviting her for events about her availability.

 

 

When she gets invitations to minister at programs, the management would respond to the invitees that she was not available or that she was sick. In some cases, the management would demand an outrageous fee for her to attend programs in order to frustrate the invitation.

 

One of such heartbreaking incidents involved a church program that had been concluded for her to attend in October 2021, hosted by a father of faith in Edo State, Rev. Felix Omobode. Eezeetee suddenly told the host that Minister Mercy could not attend because she had a terminal health problem. She got wind of it and fought back. It became chaos while she threatened it was over and done with the organization.

 

 

She was threatened with the contract but she insisted she will go and minister against the management’s wish. There were interventions, after much pressure, he claimed the organizers did not make flight arrangements. She said she will attend by any means. He eventually booked the flight. To her surprise, her host came along with a medical team to the airport to receive her believing she was unwell and may need support. Meanwhile, Minister Mercy also discovered that her ticket and that of Eezeetee had been long booked by the host.

 

RECONCILIATION

 

Though broken, she made efforts at reconciliation. She prayed and had discussions with her spiritual mentor. She decided to make a deliberate effort to restore the good working relationship. She was led to sow a seed to him. She bought a brand-new SUV for him as a seed. She made efforts, and they tried to achieve a genuine reconciliation. They reconciled, but he was more particular about posting the car on social media to appreciate her. She declined, and things got worse.

 

The situation worsened as there was no longer trust. She lived in tears. She had to narrate her experience to Minister Chioma Jesus, whose intervention led to the management returning her call lines to her in December 2021 to manage her program scheduling herself. Without removing her cost of logistics for travels and remuneration for her team members which she must pay, she remitted an absolute total of 50% of any gift or honorarium with date and evidence to Eezeetee. If she delayed, he would certainly send a mail.

 

CASE OF FORGERY

 

After her contract had expired on the 5th of September, 2022, Minister Mercy was directed to get her copy of the contract from his Pastor, Temple Odoko who has now become their mutual father, and she got her copy November 22, 2022. Shockingly, It turned out that the contract that was signed in 2017 had been replaced with another contract made in 2019. A new contract made in 2019 was altered to seem as if it was the document signed in 2017.

 

Clearly, on the face of the contract, at the front page, the “2019” was altered to “2017” by turning the “9” to “7” with a pen. However, the commencement page was carelessly reading “2019.” Eezeetee is challenged in one word to release the first three pages and the execution page of the contract in public. The contract till date has no original, just the photocopy.

 

 

Due diligence revealed that after signing the original contract in 2017, two years later, when they had relocated to lagos. Eezeetee secured the services of a prominent and respected law firm in Lagos (Udo Udoma & Bello-Osagie) to prepare a new contract in 2019. The contract was used to substitute the 2017 original contract.

 

The contract was prepared and sent to him via email in 2019 by Udo Udoma & Bello-Osagie. He altered the front page of the contract to read 2017 and claimed it was the contract signed. Meanwhile, the commencement date was carelessly left as 2019 on the document. He refused to release the original contract signed in 2017 but the new one 2019.

 

At an investigation meeting, Our Managing Partner, Pelumi Olajengbesi respectfully asked Mr. Mena Ajakpovi, Esq., Partner at Udo Udoma & Bello-Osagie, to speak to the integrity of the contract. The partner confirmed that while they drafted the contract in 2019, it was never signed in their presence as Eezeetee claimed. He added that their firm only sent it to him via email and was not aware of the 2017 alterations on the contract. This exposed the fact that it was not the same contract signed 2017 in Porhartcourt.

 

 

It is important to reiterate that while the 2017 contract was just about 5 pages, the 2019 contract, which was introduced by Eezeetee to replace the old contract was 25 pages, allocating lifetime ownership of all music works to Eezeetee and couched in a manner intended to perpetually have Minister Mercy in servitude.

 

OTHER ISSUES

 

 

Eezeetee, in the continued onerous act, doctored reports received from Symphonic, Africori, and YouTube by not declaring the correct revenue split to be paid out to Minister Mercy. He brought documents in the mid years of the contract that she needs to sign to help recover her revenue from publishing as song writer. Yet, he falsely listed himself as the writer of all her songs, to receive revenues as both writer and producer. He refused to remit her a penny from the publishing revenue for the past seven years, from inception till date and Minister Mercy didn’t make it an issue. He did not remit his ‘choiced’ 50% of the Digital Streams earnings from 2022 to 2024 — a complete two years.

 

 

Eezeetee claimed he has paid her over $600,000; that couldn’t have been the reason for the issues. Minister Mercy recorded and released almost 40 songs with him. Whatever he has remitted to her is from the 50% ratio, and she has never complained about the percentage.

 

AFTER THE CONTRACT

 

Minister Mercy made significant efforts to record an additional album before the expiration of her contract. She had clear instructions on the songs, wrote them down and sent a list to Eezeetee, requesting a recording schedule. However, his responses were dismissive, with one reply stating, “Na you dey teach me work now,” and another time, indicating he was too busy at the time.

 

 

After the original contract, which spanned from 2017 to 2022, had expired, Eezeetee insisted that the contract be extended. He justified this by citing the fact that a third album had not been recorded, referencing a questionable contract clause from 2019.

 

APOSTLE ANSELEM’S MADUBUKO INTERVENTION

 

Apostle Anselem attempted to help resolve the matter on several occasions. We were advised to forgive and forget, and we happily did. Eezeetee was told to remit Minister Mercy’s due, and everyone agreed on an independent audit. A neutral auditor was appointed. The audit was about to start when Eezeetee pulled out and refused to comply further on the excuse that his lawyer was not at the meeting where the audit was agreed upon. The auditor had to resign for lack of cooperation. Having seen the volume of revenue coming, he had to manipulate a new contract.

 

FORGERY AND DIVERSION INVESTIGATION

 

 

At the EFCC investigation panel in 2024, with all parties present and their lawyers, it was established that the sum of USD 274,000 had been unlawfully retained and diverted by Eezeetee from digital platform revenues reviewed as at then. Eezeetee claimed Minister Mercy had asked him to help keep part of the revenue to avoid mismanagement and that he was holding the remaining to ensure reconciliation before releasing the payment. He stated there was no intention to steal. He was understood. The money was recovered peacefully.

 

Eezeetee now admitted at the EFCC office for very first time that there were two contracts, the original signed in 2017 and another he introduced two years after the actual contract had been signed. He, however, appealed that the matter be settled amicably in peace. He started crying and preached peace. Minister Mercy broke down emotionally also in tears. There was forgiveness and reconciliation.

 

The Legal Practitioner representing Mr. Eezeetee, Dapo Akinosun SAN, Senior Partner at Simmons Cooper Partners admonished that parties should settle as Christian family. Eezeetee apologized in tears to Minister Mercy, and reconciliation was encouraged. Parties settled, and the learned silk encouraged that a settlement agreement be prepared and signed afterward.

 

A draft agreement was prepared and sent to us by the Learned Silk representing Eezeetee, outlining terms aimed at amicably resolving the matter. After reviewing the draft, we provided our input to address certain terms and awaited the signing of the final settlement agreement. However, upon following up with the Learned Silk, the last response remained that we should wait.

 

COURT CASE

 

Just as we were waiting for Eezeetee to finalize the settlement peacefully by signing, we were told that Eezeetee had engaged a new lawyer and had now taken the matter to court. Eezeetee was the one who filed a court case against Mercy Chinwo and Judikay separately, in suit referenced – LMDC/09-24/289/WI-M. The same Eezeetee pushed the false report of Minister Mercy taking him to court for a catalogue to mislead the public and draw sentiments or pity to him.

 

He filed another suit in court against the EFCC for investigating the allegations. We latter heard that he has been charged for fraud by EFCC, a warrant of arrest issued for him to be compelled to appear before the court.

 

FINAL SETTLEMENT

 

Minister Mercy firmly believes that the Lord has settled her and wiped away her tears, reaffirming her position that these issues are not beyond resolution. However, Eezeetee should tell the world as he has been doing, what happened to the 2017 contract she signed in Port Harcourt? What is the reason behind the introduction of a new Lagos-based contract in 2019? Why was the document forged? and why has he refused to inform the public about the true state of the two contracts.

 

Minister Mercy deeply appreciates your prayers, love, and continued support during this time.

 

SIGNED:

Pelumi Olajengbesi Esq.

Solicitors and Attorneys-at-Law to Minister Mercy Chinwo

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