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Revealed: Shareholders of Filmhouse Holdings in court over N4.9 billion planned sale of shares to Trivos Films and Media

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* Shareholders of Filmhouse Holdings are in court over a planned sale of a 58.1% stake to Trivos Film and Media for N4.9 billion.  

 

* The petition was filed by Cerrerera Investment Services, which alleges that Cape Media Limited, the majority shareholder, has not adequately considered better offers from other interested buyers. 

 

* Responses from Filmhouse and Cape deny any clandestine agreements….

 

 

Shareholders of Filmhouse Holding Limited, a media company involved in movie cinema operations and film distribution, are in court to contest an alleged plan to sell 37,765,000 ordinary shares—representing a 58.1% stake in the company—to Trivos Film and Media Limited for N4,917,843,707.

 

The legal battle stems from a petition filed by an aggrieved shareholder, Cerrerera Investment Services Limited, which alleges that a majority shareholder (Cape Media Limited) has made a purported decision to sell all of its 37,765,000 ordinary shares (58.1%) to Trivos, a media company registered in Nigeria.

 

 

The petition alleges that the consideration is based on a diminished valuation of Filmhouse, which will prejudice both its interests and those of other minority shareholders.

 

 

Contention Against Planned Equity Sale 

In its petition marked;

FHC/ABJ/PET/18/2024 before the Federal High Court in Abuja, Cerrerera Investment Services Limited’s lawyer, O. Adenaike Esq., sued Filmhouse Holding Limited, Cape Media Limited (Mauritius), Trivos Film and Media Limited, six directors, and the Corporate Affairs Commission(CAC), seeking an order to restrain the sale of the 58.1% shareholding of Cape in Filmhouse.

 

 

According to court documents, Filmhouse has a total of 65,000,000 ordinary shares as its minimum issued share capital.

 

 

Of these, 37,765,000 ordinary shares, constituting 58.1%, belong to Cape, while Trivos holds 17% of Filmhouse’s shareholding, amounting to 11,050,000 ordinary shares.

 

The petitioner’s Chief Operating Officer, Rajiv Mekkat, stated in his affidavit that his company, which owns 1,699,425 ordinary shares (2.1% of the minimum issued share capital of Filmhouse), stands to be prejudiced by this development.

 

Mekkat further indicated that Cape Media recently expressed its intention to sell its 58.1% shareholding in Filmhouse through a private equity sale to a willing buyer.

 

 

According to him, two corporate entities—Logical Pictures and Canury West Africa Limited (CWAL)—expressed interest in acquiring Cape’s shares via letters of intent and binding offer terms. Logical Pictures reportedly offered to pay 58% of $15,000,000(which it believed was the appropriate valuation of Filmhouse in 2023), along with an additional management package of $ 3,000,000.

 

CWAL offered N6 billion (later revised to N8.5 billion) as consideration for acquiring Cape’s stake in Filmhouse, but these offers were allegedly not considered by Cape, according to the petitioner.

 

 

 

Mekkat explained that while Cape failed to positively consider the offers made by earlier interested buyers, it was recently discovered that Cape had a “clandestine agreement” to sell its 58.1% stake to Trivos for a consideration that he believes represents a significant destruction of Filmhouse’s value, consequently unfairly prejudicing the interests of the petitioner as a member of the media industry.

 

 

The second respondent (Cape), by a yet-to-be-executed Share Sale and Purchase Agreement, has agreed to sell its 58.1% shareholding in Filmhouse to Trivos for a significantly reduced consideration of N4,917,843,707, compared to the N8,500,000,000 offer from CWAL and the N6,000,000,000 offer from Logical Pictures.”

 

“The agreed consideration for the sale of the second respondent’s 58.1% shareholding to the third respondent was based on a significant reduction of the existing valuation of the first respondent,” Mekkat stated.

 

 

He alleged that the directors representing the interests of Cape and Trivos, being fully aware of the proposed sale of shares, failed to fulfill their obligations to Filmhouse by not taking steps to prevent actions that would adversely affect the company’s existence.

 

He claimed that the petitioner’s long-term investment and those of other minority shareholders in Filmhouse would be unfairly prejudiced if the sale between Cape and Trivos was not restrained.

 

 

The petitioner has reason to believe that it and other minority shareholders of Filmhouse might be compelled to accept unfavorable terms as Trivos seeks to take control of Filmhouse.”

 

“The petitioner is further concerned that if it is forced to comply with the provisions of the Shareholder Agreement, which is binding on it, it would have to sell its shares and long-term investment in Filmhouse at an unacceptably low valuation,” he stated in his motion dated June 14, 2024.

 

 

Reactions from Filmhouse, Cape, and Trivos

 

In their affidavit, Hosea Udoh, a litigation executive, responded that Filmhouse, being a company, does not own shares in itself; rather, its shares are owned and held by different shareholders, each with full proprietary rights over their respective shares.

 

He stated that the petitioner’s shares in Filmhouse are 1,699,425 ordinary shares, and no other shareholder can tamper with or appropriate these shares unless the petitioner voluntarily sells them.

 

He emphasized that the power to sell shares in Filmhouse resides with the individual shareholders as their personal property.

 

He acknowledged that Cape recently indicated its intention to sell its shareholding in Filmhouse; however, he stated that this intention never materialized, as Cape has not sold its shares and, to the best of the respondents’ knowledge, is no longer in the process of selling its shareholding in Filmhouse.

 

Contrary to paragraph 19 of the petitioner’s affidavit, the respondents are not aware of any clandestine agreement by the second respondent to sell its shares to the third defendant.”

 

“For clarity, it is completely false that Trivos has agreed to purchase the shares of Cape,” he asserted.

 

Udoh contradicted the petitioner, arguing that the unexecuted Share Sale and Purchase Agreement supposedly prepared between Cape and Trivos is merely a draft document that does not indicate a binding contractual agreement.

 

 

Upon careful reading of the unexecuted Share Sale and Purchase Agreement between Cape and Trivos, the amount of N4,917,843,707 proposed as the purchase price for Cape’s shares, assuming it is true, does not expressly or impliedly represent a valuation of Filmhouse,” Udoh stressed.

 

The litigation officer argued that the petitioner, not being a party to the Shareholders Agreement, is not entitled to rely on its provisions regarding its claims against the respondents.

 

 

He accused the petitioner of attempting to mislead the court by presenting unfounded claims and urged Justice Inyang Ekwo to dismiss the motion.

 

We learned that the court has scheduled a hearing for November 14, 2024, to address the legal team’s arguments regarding the shares dispute.

 

 

What You Should Know 

 

Filmhouse Holding Limited is involved in the entertainment industry, particularly in movie distribution and cinema operations.

 

Filmhouse was established in 2012 by Kenechukwu Mkparu and co-founders Moses Babatope and Kene Okwuosa to address gaps in the cinema market.

 

 

The Filmhouse Group and FilmOne Entertainment have been instrumental in the production and executive production of over 40 of Nollywood’s most notable titles, including successful projects like “Wedding Party” (grossing N452million) and Funke Akindele’s “A Tribe Called Judah” (earning N1.4 billion), among others.

 

 

NAIRAMETRICS

 

 

 

 

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Legendary And Multifaceted Music Maestro, Quincy Jones, dies at 91

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Quincy Jones, the legendary and multifaceted music producer known for his work with icons like Michael Jackson, Frank Sinatra, and Ray Charles, passed away at the age of 91 on Sunday, November 3, 2024.

Surrounded by his family in his Bel Air home, the news of his death was confirmed by his publicist, Arnold Robinson, and reported by Yahoo and The Guardian on Monday.

Jones’ loved ones shared a heartfelt statement: “Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing.

“And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him.”

Renowned for his unmatched contribution to music, Quincy Jones’ career spanned more than 70 years, earning him an indelible place in history as one of the most awarded artists ever.

With 28 Grammy wins from 80 nominations, he stands as the third most-decorated Grammy winner, surpassed only by Beyoncé and Jay-Z, who hold 88 nominations each, reports the Guardian.

Reflecting on his diverse musical journey, Jones once noted: “When people write about the music, jazz is in this box, R&B is in this box, pop is in this box, but we did everything.”

Jones’ influence extended beyond his accolades.

The legendary producer behind Michael Jackson’s top hits in 2017 won $9.4 million in damages from the late superstar’s estate over posthumous works.

A jury in Los Angeles sided with the 84-year-old producer but gave him only part of the $30 million he was seeking.

He famously produced Michael Jackson’s iconic albums Thriller, Off the Wall, and Bad, which reshaped the landscape of pop music.

His versatility was evident in his collaborations with artists across genres, including Aretha Franklin, Donna Summer, George Benson, and Dizzy Gillespie. His legacy includes co-writing and producing the global charity single We Are The World, a song that brought together some of the greatest voices for humanitarian causes.

In addition, he was a successful composer of numerous film scores, bringing his musical touch to Hollywood classics.

Quincy’s talents transcended music alone; he founded his own TV and film production company in 1990, achieving notable success with beloved projects like The Fresh Prince of Bel-Air and The Color Purple.

His entrepreneurial spirit continued with the launch of Qwest TV in 2017, an on-demand music streaming service that showcased his enduring dedication to the art form.

Born in Chicago in 1933, Jones’ early years were marked by resilience and discovery. After his parents’ separation, he moved to Washington state with his father, where he began exploring his musical talents.

By 14, he was playing in a band with a young Ray Charles, even once backing the legendary Billie Holiday. His path led him to New York after studying music in university, where he performed with jazz band leader Lionel Hampton and played trumpet for Elvis Presley’s first television appearances.

Jones’ career took a defining turn when he became a producer and arranger at Mercury Records, also beginning his work in film scoring. Notably, he was the first African American to receive an Oscar nomination for Best Original Song with The Eyes of Love from Banning in 1968, the first of his seven nominations.

Quincy Jones lifetime
Despite his towering success, Quincy’s life was not without its perils. He narrowly escaped death during the infamous 1969 Manson family murders, having forgotten an engagement at Sharon Tate’s house that night. He also survived a brain aneurysm in 1974, a testament to his resilience.

Yahoo reported that Jones’ personal life was as storied as his career. Married three times, he first wed his high school sweetheart, Jeri Caldwell, in a union that lasted nine years and brought forth their daughter Jolie. His second marriage to Ulla Andersson produced two children, Quincy Jr. and Martina, before ending in 1974. That same year, he married actress Peggy Lipton, with whom he had daughters Rashida and Kidada; the couple separated in 1989. Jones also fathered daughter Rachel with Carol Reynolds and had another daughter, Kenya, with actress Nastassja Kinski.

The Guardian described Jones as “widely and wildly talented,” a true industry titan whose influence spanned generations and genres. His family’s statement echoes the sentiment of millions: “We celebrate the great life that he lived and know there will never be another like him.”

In an era where music boundaries were sharply defined, Quincy Jones stood as a beacon of boundless creativity and collaboration. His legacy is an enduring reminder of the power of music to bridge divides and inspire greatness.

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Entertainment

FULL LIST: Nigeria ranks fifth globally in daily social media usage

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Nigerians rank among the world’s top social media users, with 2024 data placing the country fifth globally for average daily time spent online.

According to figures from Cable.co.uk and We Are Social in 2024, posted by World of Statistics on X on Sunday, Nigerians spend an average of 3 hours and 23 minutes per day on social media.

Leading the list is Kenya, where people spend the most time on social media, at 3 hours and 43 minutes daily. South Africa follows closely with 3 hours and 37 minutes, Brazil at 3 hours and 34 minutes, and the Philippines at 3 hours and 33 minutes.

Nigeria’s average of 3 hours and 23 minutes places it just behind these countries in social media engagement.

Other countries with high social media usage include Colombia (3:22), Chile (3:11), and Indonesia (3:11). Saudi Arabia and Argentina round out the top ten with daily averages of 3 hours and 10 minutes and 3 hours and 8 minutes, respectively.

In comparison, some countries record lower social media engagement, such as Ghana with 2 hours and 43 minutes, Egypt with 2 hours and 41 minutes, and Thailand with 2 hours and 30 minutes.

Among European nations, Portugal (2:23), Romania (2:20), and Italy (2:17) rank lower on the list, indicating that social media usage varies significantly by region.

Full list:
Kenya – 03:43
South Africa – 03:37
Brazil – 03:34
Philippines – 03:33
Nigeria – 03:23
Colombia – 03:22
Chile – 03:11
Indonesia – 03:11
Saudi Arabia – 03:10
Argentina – 03:08
Mexico – 03:04
Malaysia – 02:48
Ghana – 02:43
Egypt – 02:41
Thailand – 02:30
Bulgaria – 02:26
Vietnam – 02:23
Portugal – 02:23
Romania – 02:20
Italy – 02:17

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We Arrested Bobrisky After Refusing To Honour Invitation To Name Officials He Allegedly Bribed, Says EFCC

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The Economic and Financial Crimes Commission has disclosed what led to the arrest of controversial crossdresser Idris Okuneye, aka Bobrisky.

Society Reporters had earlier reported that Bobrisky was arrested on Thursday night at the Murtala Muhammed International Airport in Lagos State.

He was arrested while attempting to flee Nigeria for London amid allegations of bribery against him.

He was later transferred from Lagos to Abuja for proper interrogation.

Explaining the reasons behind the arrest in a telephone conversation with SaharaReporters on Friday morning, the spokesman for the Commission, Mr Dele Oyewale, said Bobrisky was arrested because he refused to honour an invitation sent to him.

The EFCC official said the crossdresser was arrested in connection with the allegation of bribery against him.

“We arrested him last night and we took him to Abuja because our team investigators are in Abuja,” the EFCC spokesman said.

He continued: “He was trying to run away from mentioning those he said collected bribe from him. We have sent him invitation but he refused to honour our invitation and he was trying to leave the country.

“This was why we arrested him. We want him to come and mention the names of the official involved in the bribery but he has not shown up.”

When SaharaReporters enquired whether Bobrisky will be charged with bribery by the EFCC, Mr Oyewale said he did not have any information regarding that yet.

In October, we reported that Bobrisky had been arrested while attempting to escape to the Benin Republic.

we also reported that Bobrisky was arrested by the Customs service at the Seme-Nigerian border during a passport check.

His arrest at the border came a few hours before he was scheduled to attend a Senate panel of inquiry meeting regarding allegations against him.

 

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